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Violin bow by Justin Poirson, Paris c. 1875
Price
€15,000 EUR
All bows come with a certificate of authenticity
Full description
This elegant violin bow by Justin Poirson, made in Paris circa 1875 for the prestigious firm of Gand & Bernardel Frères, belongs to the maker’s most refined and sought-after early period. Crafted from finely selected red-brown pernambuco, the round stick reflects the refined French aesthetic that emerged in the second half of the 19th century under the influence of François Nicolas Voirin. The silver-mounted ebony frog, fitted with a simple mother-of-pearl eye, is delicately shaped and perfectly balanced in proportion to the stick.
The bow displays the graceful and sophisticated character associated with the transition from the powerful Peccatte tradition toward the lighter, more elegant approach consolidated by Voirin and his followers. Refined in appearance yet highly efficient in function, it offers a fast, articulate, and energetic response, combining precision and lightness with remarkable control. A superb example of early Parisian bow making, this bow remains an excellent choice for musicians seeking clarity, finesse, and the characteristic elegance of the French school.
dimensions
Weight
58 g
Made by
Justin Poirson
A fine representative of the late French bow-making tradition, Justin Poirson’s bows are admired for their elegance, balance, and refined playing qualities. Trained within the influential circle of Vuillaume and Gand & Bernardel in Paris, Poirson produced bows that continue to be appreciated by musicians today for their craftsmanship, responsiveness, and unmistakable French character.
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Violin by Camillo Mandelli, Milan 1942
By Camillo Mandelli | , 1942
A refined example of Camillo Mandelli’s mature Milanese work, this 1942 violin is crafted on his personal Stradivari-inspired model, influenced by the Antoniazzi tradition. With its elegant curvaceous outline, mildly strong arching, robust, rounded edgework, and finely fluted purfling, it reflects the disciplined character of the modern Milanese school. The instrument features a two-piece Italian spruce top and a striking one-piece quarter-cut maple back, covered in a luminous transparent orange spirit varnish over a golden ground. Bright, direct, and sweet in tone with immediate responsiveness, it is preserved in mint condition and represents an excellent choice for the demanding musician or discerning collector.
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