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Cello bow by J.J Martin, Mirecourt c.1890
Price
€35,000 EUR
All bows come with a certificate of authenticity
Full description
This outstanding cello bow by Jean-Joseph Martin, made in Mirecourt in the early 1890s, represents one of the finest expressions of the late 19th-century French bow-making tradition. Crafted during the maker’s mature period, it reflects the culmination of Martin’s long experience and refined craftsmanship.
The round stick is made from exquisite orange-brown Pernambuco of exceptional quality, selected for its density, resilience, and elasticity. The head follows the elegant and disciplined Vuillaume model, a style that Martin mastered during his more than ten years working in the celebrated Paris workshop of Jean-Baptiste Vuillaume early in his career. The influence of that formative period remained central to his work, and in this bow the model is executed with remarkable precision and balance.
Mounted in silver, the bow displays the refined construction and harmonious proportions that characterize Martin’s finest production. It bears his personal “J. Martin” stamp, used during the later phase of his career in Mirecourt, after the closing of his own workshop, when he continued crafting bows of exceptional quality under his own name.
The historical importance of this particular bow is further confirmed by its inclusion in the authoritative reference L’Archet by Bernard Millant and Jean-François Raffin, where it is illustrated and recognized as one of the most excellent and representative examples of Jean-Joseph Martin’s work. This landmark publication remains one of the most comprehensive and respected studies on French bow making.
Combining elegant design, superb materials, and historical recognition, this bow stands as a remarkable testament to Jean-Joseph Martin’s mastery and to the enduring legacy of the great French bow-making tradition.
dimensions
Weight
79 g
Made by
Jean Joseph Martin
Jean Joseph Martin, born in Mirecourt, trained in the Paris workshop of Jean-Baptiste Vuillaume, where he worked alongside notable makers such as F.N. Voirin. Returning to Mirecourt in 1863, he established his own workshop and trained important bow makers including Joseph Arthur Vigneron. His bows are admired for their craftsmanship, balance, and excellent playing qualities.
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