Luiz Amorim instruments handmade in Cremona, Italy

HANDCRAFTED VIOLINS, VIOLAS AND CELLOS BY LUIZ AMORIM

After beginning his making career in 1994, Luiz Amorim has been perfecting his craft ever since. Luiz Amorim instruments are the result of countless hours spent mastering his technique, focusing on achieving the highest quality of workmanship, with a refined finish and sound. Luiz Amorim’s pieces follow the traditional Italian school, made in the inspiring surroundings of Cremona.

The Master Maker Luiz Amorim

“AN INSTRUMENT IS LIKE A BLANK CANVAS ON WHICH I CAN EXPRESS MY ARTISTIC FLAIR AS A MAKER.”

Bringing Brazilian flair to the Italian cradle of violin making, at the heart of Amorim Fine Violins is its founder, Luiz Amorim. Inspired by the desire to transform materials with his bare hands, integral to Luiz artistry is his sensitive eye for the contour and texture of nature. As a result of his highly successful career, Luiz collaborated with his partners to open his Italian workshop in 2018.

Born in Curitiba, Brazil, in 1964, Luiz started his studies in Mechanics, focused in technical drawing and projects, at the Federal Center of Technological Studies in 1979 and Arts – Drawing, Painting and Sculpture – at the State School of Music and Fine Arts in 1985. For ten years Luiz has worked as a professional artist. He has begun his instrument making career in 1995 making lyres and kanteles. By this time, Luiz was learning how to play violin and cello. In 1998, with the need of being in the classical music scenario, Luiz started learning how to make instruments from the violin family with a maestro whose a few months later became his partner. In 2001 Luiz established his own workshop where he and his team are developing a restoration and violin making work that is reference all over the world.

Eric Silberger on the unique qualities of his Luiz Amorim violin

Antonio Meneses talks about his Luiz Amorim Cello

The violin that I have just purchased from Luiz is without question the best copy of a Guarneri “del Gesù” that I have put under my chin. It is responsive, big and beautiful sounding all in one. As you probably know, I used to play on the original Sainton “del Gesù” and it is no less commanding. In fact, the varnish is even more beautiful than the original.

Elmar Oliveira, Violinist

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