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Violin by Sibylle Borchardt-Fehr, Cremona 2009
Price
€20,000 EUR
All violins come with a certificate of authenticity
Full description
Crafted in the heart of Cremona in 2009, this violin by Sibylle Fehr-Borchardt is a refined and elegant interpretation of the Guarneri 'Del Gesù' tradition. The maker’s personal model balances spontaneity with structure, infusing the bold character of Guarneri with her own modern sensibility.
The back is made from two pieces of maple with striking, intense flames, while the top is cut from beautifully figured Italian spruce—both selected with care for their tonal and visual qualities. The oil-based varnish is transparent and luminous, in a warm orange-brown hue laid over a golden ground. Slightly antiqued and delicately nuanced, it enhances the natural beauty of the wood beneath.
In our opinion, the most captivating feature of this violin is the f-hole design: masterfully symmetrical and crisply cut, they reflect a contemporary take on Guarneri’s famously free-hand carving style. This precise execution adds a new layer of elegance and intention, offering a bold visual identity while preserving the organic aesthetic of the original inspiration.
dimensions
Back Length
354 mm
Upper Bout
168 mm
Center Bout
111 mm
Lower Bout
205 mm
String Length
326 mm
sound characteristics
Dark, Sweet and Direct
Audio
00:00/
Made by
Sibylle Fehr-Borchardt
Born in 1965 in Kempten, Sibylle Fehr-Borchardt studied violin making in Cremona, developing her skills under different Masters.
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Violin bow by Marc Laberte, Mirecourt 1940
By Marc Laberte |
This fine violin bow by Marc Laberte, made in Mirecourt in the 1940s, represents the solid craftsmanship and practical elegance of the French workshop tradition during the early 20th century. Produced within the respected Laberte-Humbert Frères atelier, it reflects the disciplined construction and reliability that made Mirecourt bows widely appreciated among professional and advanced musicians.
The round stick is carved from Pernambuco of a vivid brown color, selected for its balanced density and resilience. The wood offers an excellent combination of strength and flexibility, giving the bow a stable and confident character. The head follows the traditional French outline, cleanly defined and well proportioned, expressing the straightforward and functional aesthetic typical of Laberte’s work of this period.
Mounted in silver, the bow features a classical ebony frog fitted with a mother-of-pearl eye and a matching ebony and silver button. The fittings are executed in the refined Mirecourt style, combining durability with understated elegance. This example remains in excellent condition, preserving its original integrity and craftsmanship.
In playing, the bow offers a steady and reliable response, with secure articulation and balanced control across the string. Its dependable and robust character makes it particularly suitable for musicians seeking consistency and stability in daily performance.
A very good and representative example of Marc Laberte’s mid-century production, this bow stands as a testament to the enduring practicality and musical effectiveness of the Mirecourt bow-making tradition.
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