Exhibition: The Great Cremonese Masters of The Past
Back to BlogThe Great Cremonese Masters of The Past: An exhibition of rare Cremonese instruments · Amorim Fine Violins, Cremona · 2–4 October 2026
For three days this October, Amorim Fine Violins opens its doors to a rare gathering of instruments by the greatest makers of Cremona — the small city that gave the world the violin, and perfected it. Across a single golden century, one workshop taught another, and a handful of masters carried the Cremonese art from its first flowering to its absolute summit. This exhibition follows that line, maker by maker, through instruments you can see up close — and, on Saturday evening, hear played live.
Visiting the exhibition
Friday 2, Saturday 3 and Sunday 4 October 2026
Open daily 10:00 – 18:00
Amorim Fine Violins, Piazza Marconi 7b, Cremona
A special evening — Saturday 3 October
On the Saturday, the instruments come to life. Join us for:
- 18:30 — Aperitivo
- 19:30 — Concert, performed on the very instruments of the exhibition by the cellist Gabriel Schwabe and Hellen Weiß
Seating is limited and filled in order of arrival — we recommend coming early to be sure of a place.
Each instrument is presented with the story of its maker — their life, their craft, and the single signature of the hand that sets their work apart.
The makers and instruments on exhibition
- Nicolò Amati (1596–1684) — the teacher of Cremona’s golden age, who opened his workshop and trained the generation that followed.
- Francesco Rugeri (c.1628–1698) — the great name to rise beyond the Amati.
- Andrea Guarneri (c.1626–1698) — Amati’s first pupil, and founder of the Guarneri line.
- Antonio Stradivari (c.1644–1737) — the summit of the Cremonese art, the standard by which every violin is still judged.
- Giuseppe Guarneri “filius Andreæ” (1666–c.1740) — the master Cremona nearly forgot, whose hand shaped the next generation.
- Giuseppe Guarneri “del Gesù” (1698–1744) — Cremona’s boldest genius, the only maker named beside Stradivari
We look forward to seeing you here in Cremona, and to welcoming you into our workshop — to share these extraordinary instruments, and the stories of the hands that made them. Our doors are open; please consider this your invitation.




