A Bow by Hermann Richard Pfretzschner

Cello bow by H.R. Pfretzschner, Markneukirchen, c. 1910

This amazing cello bow is a perfect and fine-crafted snapshot of Pfretzschner's work at the beginning of the 20th Century, in which his work was based on a variety of French masters' models, such as Tourte and Voirin, yet keeping his very own personal style and elegance.
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Price

10,000 EUR

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      Full description

      This amazing cello bow is a perfect and fine-crafted snapshot of Pfretzschner's work at the beginning of the 20th Century. This elegant bow has a perfectly shaped round dark-brown Pernambuco wood stick made in the style of F.N Voirin, whose elegance and refinement expose all the high-level qualities achieved by the maker. The dense dark ebony and silver frog carries the stamp of the Saxon royal court of arms, as in all Pfretzschner bows after 1901. This bow highlight is the elegant roundness noticeable in the perfect shape of the angled forward projected head.

      Hermann Richard Pfretzschner

      One of the greatest names of German Bow-making school, H.R Pfretzschner was born within the craft, and learned from his father, Carl Richard Pfretzschner in Markneukirchen. After Working in Paris for J.B. Vuillaume, he gave birth to one of the most long-lasting traditional family business in the german bow-making community. Learn more

      dimensions

      Weight
      82g
      Balance point
      250 mm

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      Neapolitan Violin, Naples, c.1850

      By Neapolitan School of Violin Making  |  

      A beautiful violin made in the Neapolitan School is a representative example of the early modern violin-making scenario, showing the elegant and careful experimentation proved by those maskers answering the increasing demands of the musicians and their repertoires. From our point of view, the most impactful details of this fine violin are the typically Neapolitan elegant and thin-lined purfling, which curiously presents a deviation in the format of a semi-circle towards the center of the instrument at the upper part of the back in accordance to the aesthetic taste of the mid-1800s.

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