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Copy of Antonio Stradivari ‘La Pucelle’, 1709
Sold
Good news! This instrument is available for commissioned work.
The maker can create a custom-made instrument for you, inspired by what you liked about this one.
All instruments come with a certificate of authenticity
Full description
The wood chosen for this violin follows the characteristics of the original instrument. The top's spruce was carefully selected and comes from Val di Fiemme, the same source the Cremonese Masters used to get their wood. The two-piece back maple with medium flames comes from the Balkans.
"It was Parisian dealer, luthier, and maker Jean-Baptiste Vuillaume who gave the instrument its name. After disassembling the instrument for maintenance he observed to his amazement, that the violin had remained untouched since it left the workshop of Stradivari. This instrument is painted with a bright reddish-brown varnish. Some very obvious features of this masterpiece are its very late wear to the varnish." Luiz Amorim
dimensions
Back Length
353 mm
Upper Bout
167 mm
Center Bout
107,5 mm
Lower Bout
206 mm
String Length
328 mm
sound characteristics
Bright, sharp, and round.
Audio
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Made by
Luiz Amorim
With a sensitive eye to nature’s shapes and textures, Luiz dedicates his career in the search for a complete and powerful sound in his instruments, together with the investment in impeccable finishing and aesthetics, imitating the style of the old masters.
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Violin bow by Marc Laberte, Mirecourt 1940
By Marc Laberte |
This fine violin bow by Marc Laberte, made in Mirecourt in the 1940s, represents the solid craftsmanship and practical elegance of the French workshop tradition during the early 20th century. Produced within the respected Laberte-Humbert Frères atelier, it reflects the disciplined construction and reliability that made Mirecourt bows widely appreciated among professional and advanced musicians.
The round stick is carved from Pernambuco of a vivid brown color, selected for its balanced density and resilience. The wood offers an excellent combination of strength and flexibility, giving the bow a stable and confident character. The head follows the traditional French outline, cleanly defined and well proportioned, expressing the straightforward and functional aesthetic typical of Laberte’s work of this period.
Mounted in silver, the bow features a classical ebony frog fitted with a mother-of-pearl eye and a matching ebony and silver button. The fittings are executed in the refined Mirecourt style, combining durability with understated elegance. This example remains in excellent condition, preserving its original integrity and craftsmanship.
In playing, the bow offers a steady and reliable response, with secure articulation and balanced control across the string. Its dependable and robust character makes it particularly suitable for musicians seeking consistency and stability in daily performance.
A very good and representative example of Marc Laberte’s mid-century production, this bow stands as a testament to the enduring practicality and musical effectiveness of the Mirecourt bow-making tradition.
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