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Violin by Gaspar Borchardt, Cremona, 1995
Price
€22,000 EUR
All violins come with a certificate of authenticity
Full description
This exceptional violin, crafted by Gaspar Borchardt in Cremona in 1995, is a striking example of modern Italian violin making. Inspired by the early works of Giuseppe Guarneri 'del Gesù', it features a personal model with bold, free-flowing lines and a distinctive character. The top is made from finely grained Italian spruce of the highest quality, known for its resonance and responsiveness. The back is carved from a single piece of beautifully flamed maple, showcasing deep, striking patterns that add to the violin’s visual impact.
The varnish, a rich red-brown with remarkable transparency, accentuates the natural beauty of the tonewood while enhancing its acoustic potential. This careful finish gives the instrument a vibrant, almost glowing appearance, reflecting Borchardt's mastery of the craft.
In terms of sound, this violin offers a direct, powerful, and mature voice, with a confident, soloistic presence that commands attention. Its tonal consistency across all registers and exceptional projection make it an ideal choice for demanding professional musicians.
dimensions
Back Length
358 mm
Upper Bout
163 mm
Center Bout
112 mm
Lower Bout
201 mm
String Length
326 mm
Audio
00:00/
Made by
Gaspar Borchardt
German-born luthier Gaspar Borchardt has been living and working in Cremona since 1984. Together with his wife, Sibylle Fehr-Borchardt, he crafts stringed-instruments using the traditional Cremonese method. Their instruments—crafted with personal models and aged tonewood—are known for their tonal depth, beauty, and close collaboration with professional musicians.
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Violin bow by Marc Laberte, Mirecourt 1940
By Marc Laberte |
This fine violin bow by Marc Laberte, made in Mirecourt in the 1940s, represents the solid craftsmanship and practical elegance of the French workshop tradition during the early 20th century. Produced within the respected Laberte-Humbert Frères atelier, it reflects the disciplined construction and reliability that made Mirecourt bows widely appreciated among professional and advanced musicians.
The round stick is carved from Pernambuco of a vivid brown color, selected for its balanced density and resilience. The wood offers an excellent combination of strength and flexibility, giving the bow a stable and confident character. The head follows the traditional French outline, cleanly defined and well proportioned, expressing the straightforward and functional aesthetic typical of Laberte’s work of this period.
Mounted in silver, the bow features a classical ebony frog fitted with a mother-of-pearl eye and a matching ebony and silver button. The fittings are executed in the refined Mirecourt style, combining durability with understated elegance. This example remains in excellent condition, preserving its original integrity and craftsmanship.
In playing, the bow offers a steady and reliable response, with secure articulation and balanced control across the string. Its dependable and robust character makes it particularly suitable for musicians seeking consistency and stability in daily performance.
A very good and representative example of Marc Laberte’s mid-century production, this bow stands as a testament to the enduring practicality and musical effectiveness of the Mirecourt bow-making tradition.
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