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Violin by Matteo Goffriller, Venice, c. 1715
This Venetian violin by Matteo Goffriller, c.1715, is a superb example of the city’s golden period of violin making. Featuring a stunning red varnish and a beautifully sculpted single-piece back, its standout quality is the noble, rich tone that reflects the elegant union of Italian finesse and Germanic structure—a hallmark of Goffriller’s artful legacy. More
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Full description
This fine Venetian violin by Matteo Goffriller, made circa 1715, is a quintessential example of the classic Venetian school at its height. The instrument is covered in a stunningly intense red varnish—one of the most defining traits of the region’s finest output—and showcases Goffriller’s elegant, softly flowing outlines and masterful craftsmanship.
A seamless fusion of two great traditions, this violin blends the refined influence of the Amati school with the structural clarity and discipline introduced by the Germanic makers who found their way to Venice in the 17th century. The result is an instrument of bold character and noble grace: a single-piece maple back with rich figure, gracefully carved f-holes, and a delicately arched top.
Tonally, this violin delivers a deep, noble voice—refined yet expansive—with a powerful projection and a lyrical warmth that rewards expressive interpretation. More than an exceptional historical artifact, this violin remains a compelling tool for the modern artist seeking inspiration from a centuries-old voice.
Matteo Goffriller
Born in Bressanone in 1659, Matteo Goffriller is considered the father of the Venetian school of violin-making. He is renowned for his expressive and beautifully crafted instruments, especially his cellos.Learn more
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sound characteristics
Tonally, this violin delivers a deep, noble voice—refined yet expansive—with a powerful projection and a lyrical warmth that rewards expressive interpretation.
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Violin Bow by Emil Max Penzel, Erlbach, c. 1930
By Emil Max Penzel |
A unique mastermaker crafted this Exceptional Pre-WorldWarII German bow. One of the most recognized makers of Germany's early 1900s, Emil Max Penzel, elegantly displays his references and his origins among the makers of the Pfretszchner workshop in this bow, yet preserves and flaunts his own style. In our opinion, the most noticeable aspect of this bow, beyond the excellent craftsmanship, is the stunning high-quality Pernambuco wood.
